Ann Mazzocca on Dancing the African Diaspora C… Brett Martin (@brett… on Dancing the African Diaspora C… Ann Mazzocca on Welcome steve on Welcome
Performing a new work entitled “Obatala/Danbala: An Encounter” at Dixon Place, 161A Chrystie St. between Rivington and Delancey in Manhattan, NY. With Jennifer Brogle, Kayla Jewette, Christopher Oriz, Jose Conde, Obanilu Ire, and Rodolphe “Neg Mawon” Pierre.
This weekend I am honored to be presenting at Duke University’s Dancing the African Diaspora: Theories of Black Performance Conference.
I recently traveled to Cuba with Danys “La Mora” Perez, members of her Afro-Cuban folkloric dance ensemble Oyu Oro and other researchers and dance students. The trip involved a rigorous schedule of daily dance and song classes by teachers and performers from some of the most prominent Afro-Cuban folkloric companies based in Havana, Matanzas and Santiago. Additionally, we saw folkloric performances in Camaguey, Santiago, and El Cobre as well as two modern and contemporary modern companies based in Santiago. The two week journey included ceremonies or toqués, a contemplative visit to a sacred site, much live music, and many deep connections. My intro here is a bit dry in that I’d like to document briefly some of the highlights of especially the educational aspects of this journey. But, it must be stated that this trip to Cuba was extremely profound for me and moved me…inspired me…changed me…spiritually, emotionally, physically.
La Habana: We danced with Ildolivia Ramus Jàne of Raices Profundas, the Havana-based folkloric dance company directed by Juan de Dios, whom I had studied with on my first trip to Havana in 2006. Our lead musician, Eduardo Aguiero used to perform with Raices Profundas and currently plays with Clave y Guaguanco. He lectured on aspects of La Regla de Lucumí and especially the importance of Elegua, for which he taught a couple of songs to go with the Ñongo rhythm. Ildolivia led us through Lalubanché, Ñongo, and Chachalokafún for Elegua, zapateos de Ochún, Yemayá Chikini variations all within the Yoruba tradition and Afrekete and Mase from the Arará lineage. We learned Palo Trillado from Pinar del Rio. This style seemed similar to Palo but a little slower. However, by the time we finished this style felt just as strong and intense as Palo. She also introduced us to Kongo/Bantu styles from Trinidad, Cuba. These included Milena, Dilen Dilen, Vamos a Jugar, and Kin Van Bara. Alexander La Rosa Pérez, of Ballet de Oriente in Santiago and La Mora’s nephew, warmed us up and taught salsa choreography.
Next stop, Varadero.
Varadero is a resort town on the northern shore of Cuba. The sea is sweet here and tranquil. Clear, turquoise, blue on the horizon…soft white sand and sea grass. The sea feels supportive and nurturing…like it’s hugging me. It’s less salty than any other water I’ve been in this summer from the Terrenean Sea to Virginia Beach to Miami. It tastes good on my lips.
We studied with Grupo Afro-Cuba de Matanzas. I had studied with them two years ago and was looking forward to working with Antonio Figueroa master dancer and Menini artistic director again. Our drummers were Rances and Diosvanni, both sons of Menini I believe and Ignacio Calderon Osborne, musical director for Afro-Cuba de Matanzas.
Again, like in Havana, we danced morning and afternoon. Figueroa worked us through the orishas Elegua (with alubanché, la tokpa, chachalokafún), Ogún, Ochún, Yemayá, and Oyá. Menini led us in songs for Elegua, Ogun, Yemaya, and Shangó. Figueroa gave us a lot of information through his sequences and the subtleties of his torso, shoulders, and feet. In Yemaya’s chikini section he keeps his feet very connected to the floor to improvise and play with the rhythm, but he also lifts up to sustain the rhythm. Menini’s song classes continued with Arará songs for Afrekete, Hebioso (Jevioso), and Sobo. I thought it was interesting to hear about Sobo, as the Arará rhythm reminds me of a rhythm from Souvnans in Haiti and Sobo is also a lwa in Haitian Vodou. Menini explained that Sobo is aligned with fire like a volcano and its color is red wine. In the Yoruba tradition Sobo is Agayu. He wears nine colored handkerchiefs on his waist and his tool is a big headed axe.
The night of August 8th we went to Matanzas to participate in a ceremony for Obatala, Menini’s orisha, in Menini and Mima’s home.
Descriptions and pictures of Camaguey, Guantanamo, Santiago, and El Cobre to come…
an evening of experimental music and dance
The performance will be at 2501 Fawn Street, Norfolk, VA Sunday May 5, 2013. Doors open at 6.30pm/performance starts at 7:00pm. Tickets are $5 Suggested donation. For additional inquiries please contact firstname.lastname@example.org
ArtPile is a group of performance-based artists in Hampton Roads who present original works created in the spirit of collaboration. We are dancers, choreographers, musicians, composers and visual artists committed to fostering a sense of community and visibility for art in Hampton Roads. ArtPile is: Rachel Thorne Germond, Dale Lazar, Ann Mazzocca, Kelly Rossum, Megan Thompson, and Suzanne Wiltgen. Thompson and Germond are faculty in the dance department at Old Dominion University, Mazzocca and Rossum teach dance and music at Christopher Newport University, Wiltgen is a recent transplant from the Minneapolis, MN dance scene, Lazar is a local musician and composer who recently graduated from ODU. This showcase of experimental dance and music will be ArtPile’s second event presented by ArtPile and selected guest artists.
The program will include an improvisational piece with all the choreographers/dancers and composers/musicians. Choreographer Rachel Thorne Germond, will present a new solo titled Gone Gone… Never Forever to music by experimental composer Olivier Messaien and Rejoinder, a passionate duet for two women abounding with energy and grace. Inspired by a piece he created with Jen Stone and Megan Thompson in 2011, Dale Lazar will present Rice Circle Revisited. The piece explores ideas of ritual through rhythmic layering of sound and choreographed yet functional tasks. Ann Mazzocca will present a new piece inspired by Ossain, the divinity found in Yoruba-based religions who holds the knowledge of the medicinal and ceremonial purposes of uncultivated plants and herbs, and the centrality of community in ceremony. Working collaboratively with dancers, she mixes and recombines movements to evoke her memories, conflicts, and imagination drawn from experiences within Haitian cultural communities. Composer and trumpetist Kelly Rossum will present an improvised musical performance with percussionist Dale Lazar.
an evening of experimental music and dance
The performance will be at 2501 Fawn Street, Norfolk, VA Sunday December 2, 2012. Doors open at 6.30pm/performance starts at 7:00pm. Tickets are $5 General Admission and can be purchased at the door. For additional inquiries please contact email@example.com
ArtPile is a group of performance-based artists in Hampton Roads who present original works created in the spirit of collaboration. We are dancers, choreographers, musicians, composers and visual artists committed to fostering a sense of community and visibility for art in Hampton Roads. ArtPile is: Rachel Thorne Germond, Dale Lazar, Ann Mazzocca, Kelly Rossum, Megan Thompson, and Suzanne Wiltgen. Additional guest artists include musicians Annie Stevens, Johnny Finn and the Steve Thorne 3 Jazz band and dancers Jen Clark Stone and Kayla Jewette. December 2nd will be ArtPile’s first event. The evening will be a combination of experimental dance and music performances.
RACHEL THORNE GERMOND is current adjunct faculty in the Old Dominion University Department of Dance. She has been dancing, choreographing and presenting work (primarily in Chicago and New York City) since 1990. Ms. Germond is a graduate of Cornell University and achieved an MFA in dance and choreography at the University of Illinois Champaign-Urbana in 2000. She formed her Chicago-based dance company, RTG Dance in 2004. Rachel will be teaching a movement/alignment dance class on Wednesday nights in January at TR Dance (Todd Rosenlieb Dance) on Granby Street. See http://www.rtgdance.com for more information.
DALE LAZAR is the principal accompanist for the Modern Dance Technique classes at Old Dominion University. He has also accompanied for the University of Wisconsin-Madison, the American College Dance Festival, and the annual high school dance festival hosted by Todd Rosenlieb Dance Academy. Dale has performed with Virginia Symphony Orchestra, Symphonicity, Virginia Winds, and Norfolk Chamber Consort. Currently, he composes and performs with the Jen Stone and Megan Thompson Dance Project, Steve Thorne 3 jazz group, and teaches for Community Music Division at ODU. Interested in all forms of percussion, Mr. Lazar is a student of the North Indian tabla and has studied under Kumar Das and Pandit Samir Chatterjee. Dale holds a B.A. in Percussion Performance from Old Dominion University.
ANN MAZZOCCA relocated to Norfolk from Brooklyn, NY in 2011 to join the faculty at Christopher Newport University in Newport News as Assistant Professor of Dance. She has toured nationally and internationally with Haitian and Cuban dance companies based in NYC and has presented her scholarship and choreography nationally in cities including Los Angeles, New York, Philadelphia and Miami. Inspired by the communal living and intimacy that she encountered in Haiti and her experiences in the diasporic Haitian folkloric dance community, her work approaches Haitian dance through Western contemporary dance methods.
KELLY ROSSUM is an international trumpet artist, improviser and composer. He has been invited to perform at multiple International Trumpet Guild Conferences, including Sydney, Australia and Bangkok, Thailand as well as repeat appearances at the Festival of New Trumpet Music and the Atlanta Trumpet Festival. He has performed everything from lead trumpet at New York’s famed Birdland jazz club, to natural trumpet in Bad Säckingen, Germany. As a recording artist, Kelly has released four albums as a leader and has appeared on over 40 recordings as a sideman.Dr. Kelly Rossum is currently Assistant Professor of Trumpet and Director of Jazz Studies at Christopher Newport University in Newport News, Virginia.
MEGAN THOMPSON is a full-time lecturer in Dance at Old Dominion University. She has danced professionally in the noranewdanceco, the Li Chiao-Ping Dance Company, the Maida Withers Dance Construction Company and currently with RTG Dance. Her own work has been presented in Chicago, IL, Madison, WI, Richmond, VA, Washington, D.C. and Krasnoyarsk Russia. In 2009, Thompson, along with performing artist Jen Stone, created the Jen Stone and Megan Thompson Dance Project. Together they have taught master classes and presented their work internationally in Guatemala and Mexico and locally in Norfolk and Richmond, VA. Megan holds a BS in Dance from the University of Wisconsin-Madison and an MFA in Dance from the University of Maryland and is certified in the Pilates Method of Body Conditioning.
SUZANNE WILTGEN earned her MFA from the University of Wisconsin-Milwaukee and her BA in Dance from Mount Holyoke College. Through the generous support from a fellowship from the Henry Luce Foundation, she lived in Korea and studied with Sin Cha Hong and Laughing Stone Dance Theatre, and then in Malaysia where she taught and performed under Mew Chang Tsing of RiverGrass Dance Theater. She moved to Minneapolis in 2000, where she co-founded the Three Dances collaborative modern dance company with Brinsley Davis and Jamey Garner. In 2009, Suzanne relocated to New York City, and now is based in Newport News, VA.
On May 29th I’ll be presenting a new work at Marcia Monroe’s curated showcase “Crossing Boundaries” at Dixon Place. I’m working with dancers Rainy Demerson and Jennifer Donello, musician, singer and dancer Michele “Buffy” Drysdale, and musicians and vocalists Neg Mawon and Yatande Boko who I have had the privilege to work with for close to 10 years now.
I’m exploring the meaning held within and projected onto the folkloric skirt that is integral to sacred ceremony and folkloric representations of the female lwa and orishas of Haitian Vodou and Cuban Yoruba traditions. The piece reflects my ongoing investigation into the meeting of contemporary approaches to choreography, composition, movement, improvisation, tradition, folklore, and experience.
“Crossing Boundaries,” May 29th 7:30pm at Dixon Place, 161A Chrystie Street (btwn Rivington and Delancey) in the lower east side of Manhattan. Tickets $12 advance/$15 at the door. The Dixon Place Lounge is open before, during, and after the show. Proceeds directly support Dixon Place’s artists and mission. The creation of this piece is supported by a Faculty Development Grant from Christopher Newport University.